On this episode of our Beatles podcast, Peter and Kenyon look at George Harrison’s You Like Me Too Much, an overlooked Help! track that turns out to have more going for it than its reputation suggests.

It is an entry point into the bigger story of how the Beatles worked. How arrangements took shape in the studio, how imperfect performances still made it onto finished records, and what happened when someone other than John or Paul started finding their own songwriter voice.

We talk to Anne (BeatlesResearchSociety) to sort through the song’s unusual piano parts and surviving session notes. In the end, we find out what's going on with this song and why it's important in the Beatles catalog.

What we cover:

- The writing and recording of “You Like Me Too Much”
- George Martin’s session notes and the disputed piano parts
- The song’s unusual piano-and-guitar solo
- George Harrison’s development as a songwriter
- The different UK and US releases of Help!

Follow Beatles Research Society:
https://www.instagram.com/beatlesresearchsociety

John Lennon called It's Only Love a lousy song with abysmal lyrics. But is he right?

Peter and Kenyon are joined by their long-time friend Elli to take a closer look at this late addition to Help! and figure out what works, what doesn’t, and whether Lennon judged it too harshly.

The conversation turns toward how artists make their work and how old, cringy experiments can become embarrassing with time. Kenyon, Peter, and Elli each bring in an old poem and read it aloud in a beautiful shaming ritual that will now live on the internet forever. Along the way, they consider whether failed work is simply part of the creative process, how artists develop higher standards, and whether John Lennon was too hard on his music.

What we cover:
- The writing and recording of “It’s Only Love”
- The unusual intro guitar effect
- Hoshika Rumiko’s visit to the Beatles’ recording session
- The song’s release history
- George Martin’s orchestral version "That's A Nice Hat"

On this episode of our Beatles podcast, Kenyon, Peter, et al hold 3 important corporate meetings to determine once and for all which song will serve as Ringo's contribution to the Help! album. We have a pre-production meeting, a production meeting and a post mortem to decide what and how Ringo can contribute for this project. They are joined by a few guests that add their input that may or may not help the boys arrive at a conclusion.

On this episode of our Beatles podcast, you are going to lose assumptions you had about this Help! era song. Joined by Cameron from NationSquid and FeedYourHead, we dig deep and try to uncover the essence of this song. As usually, we talk about the songwriting, the recording process and how it was released. But we also dive into adjacent topics such as American cinema and the tech world. Do yourself a favor and check it out.

Check out Cameron:
https://www.youtube.com/nationsquid
https://www.youtube.com/@FeedYourSquid

On this episode of our Beatles podcast, we cover another song, Another Girl. For the first time in a while, it's just Kenyon and Peter alone together, so things get loose pretty quickly. We come into the episode talking about a minor Paul song, but by the end, we talk about the major pivot point that this song represents. It's insightful and it's a little chaotic.

What we cover:
-Unconventional songwriting spaces
-Sequencing of the first side of Help!
-The iconic guitar line
-Paul crossing the bar line with his lyrics
-Paul's Tunisian vacation

On this episode of our Beatles podcast, "small" George Harrison song becomes bigger once everyone brings their own meaning to it. This episode, we are joined by the hosts of The Inner Light Podcast, Sophie and Harry. Since this is only our second Harrison track, we got to dig deeper into George’s distinct voice, and why he fits so perfectly into the space John and Paul leave open as songwriters and personalities.

We cover:
-George's growing voice as a Beatles songwriter
-The volume-pedal guitar sound
-Strange instrumentation in the backing track
-The song's afterlife at the Concert for George

Check out Sophie and Harry's socials:
https://linktr.ee/innerlightpodcast
https://beacons.ai/sophspace
https://www.instagram.com/harryfitz

On this episode of our Beatles podcast, we are joined by guest Andrew Shakespeare to discuss one of the most intimate John Lennon songs so far. From there, we attempt to break down how it was written, how it was recorded, and what it could mean to us. Our track by track trip through Help! continues to give us surprises.

We cover:

-The Dylan comparisons
-Pete Shotton's visit to the studio
-Johnnie Scott's flute overdubs and the mystery of the tenor flute
-The Silkie's cover, produced by The Beatles themselves
-A broken glass

On this episode of our Beatles podcast, we really put this song up to the test. Growing up, Peter felt that this might be one of the greatest Beatles songs, but does he still feel that way today? Together, with our guest Rob Collier (beatles_bass_lines), we dive deep into the song and see what is going on beneath the surface. By the end, we settle the score and decide where this song lands in the pecking order of Beatles songs.

We cover:

-The music theory of the song
-Similarities to Yesterday
-A deep dive on the Pianet C and related instruments
-A storytime on how Northern Songs, the Beatles music publishing company, went public on the London Stock Exchange

Check out Rob
https://www.patreon.com/cw/BeatlesBassLines
https://linktr.ee/beatlesbasslines

On this episode of our Beatles podcast, we are joined by our special guest and film correspondant, Stephen Ptacek along with another super-special surprise guest. The episode is long and loose but the conversation is engaging about one the weirdest, most interesting and complicated Beatles projects.

We take on the film’s bigger questions, move through it scene by scene, dig into behind-the-scenes material, listen to radio promos and interview clips, and even get into a restored cut scene. At the end, we give Help! the only thing it was missing: a rating.

In this Beatles podcast, we are joined by bass player Erik McIntyre to discuss the B-side of the Help! single. Written on the back of a telegram, this song was conjured up as a replacement for Little Richard's Long Tall Sally in The Beatles' set list. In the conversation, we dive into the history of the song and, with Erik's help, explore why this song was necessary in the Beatles catalog at this exact moment.

We cover:

-Decoding Paul McCartney's bass lines
-The protest song Eve of Destruction and its role in the Beatles' songwriting
-The legedary recording session that produced this song
-The politics of being in a band and the importance of keeping it fun

Check out Eirk McIntire:
https://www.instagram.com/erik_mcintyre/

https://www.acemonroe.com/

This Beatles podcast episode attempts to get at why Help feels so relatable even after all these years. We are joined by songwriter Jeremy Ivey and open up the song as a John Lennon turning point, a George Harrison guitar showcase, and a surprisingly strange bit of Beatles detective work.

We cover:

-George Harrison’s lead guitar part, the chromatic descent, and the countrified feel of the playing
-How John wrote Help, from the film title to Paul’s counter melody
-The mystery of a secret recording session pieced together from photos uncovered in 2002
-Where Help landed on the music charts with the other songs of the day

Check out Jeremy Ivey: https://jeremyivey.net
Video on George's guitar part: https://www.youtube.com/watch?v=ec6M_6ua16o

In this Beatles podcast episode, Mary Devlin joins us for a songwriter’s conversation about That Means a Lot, one of the more interesting Beatles deep cuts. As usual, there is more here than meets the eye, and we have a sharp discussion about songwriting, social media, and Beauty and the Beast.

We cover:

-How That Means a Lot could be Paul's response to Ticket to Ride
-Is there a number of chords you need to have a good song?
-PJ Proby’s version of the song
-The Beatles’ multiple attempts to record the song, including a Beatles first

Check out Mary's socials: https://hoo.be/beatledirt

On this episode of our Beatles podcast, we take a song Peter barely knew and turn it into one of the most spirited conversations in the series. On Bad Boy, Note by Note brings in Jesse Pollack from All You Need Is Pod to talk about this iconic track, one of the last of its kind.

We cover:
-Larry Williams’ original versus the Beatles version and what changed in the arrangement
-John Lennon’s vocal performance and the debate over where it ranks among Beatles covers
-The emergency Help-era session, Beatles VI, and the rush to get the song to America
-The Hohner Pianet C, the Studer tape machine, and a new recording technique

On this Beatles podcast, Note by Note goes deep on Yes It Is and why it lands like a private confession. We explore the emotional core, the craft behind the recording, and how this B-side fits into the bigger "cry for help" thread.

We cover:

-Storytime: Peter and Kenyon band history and origin story
-Comparisons: Yes It Is next to This Boy and the A-side Ticket To Ride
-Recording details: how the session evolved, including choices around vocals and takes
-Music theory: harmony and chord movement, with a focus on why the chorus feels so intense
-Sound and texture: George’s volume pedal and how production shapes the mood

Season 2 kicks off with Ticket To Ride on this Beatles podcast, and it turns into one of those conversations where the song keeps getting bigger the longer you sit with it. We jump through personal memories, the emotional push and pull of a happy-sad track, the feel of that unforgettable guitar line, and a few surprising detours that shed more light on this song's role in the Beatles canon.

We cover:

-How Ticket To Ride hits different as grown-ups
-The rhythm, groove, and musical choices that give the track its tension and momentum
-Lyrics, title meaning, and how our brains mishear songs we swear we know
-A pop culture thread that unexpectedly preserves a piece of Beatles history

A Beatles podcast where a “throwaway” closer turns into a full-on investigation with Dan Rivkin, the guy who went second-by-second through the Get Back Nagra tapes. If you’ve ever skipped “Everybody’s Trying to Be My Baby,” this episode is a serious attempt to make you hear why it matters.

We cover:

- Dan Rivkin’s Nagra-tape method and why it changed Get Back study
- Beatles for Sale’s closer, George’s vocal, and what the song is doing as an ending
- Rex Griffin vs Carl Perkins vs The Beatles: what’s actually shared and what’s not
- October 18 session details: one take, overdubs, and early STEED echo on vocal
- Storytime: the 1964 “Another Beatles Christmas Show” pantomime and the live set

Dan Rivkin's website: https://theymaybeparted.com/

This week on our Beatles podcast, we bring in a fourth voice and it gets delightfully nerdy fast. Guest Raymond Schillinger from You Can’t Unhear This joins us to re-hear “What You’re Doing” like it is hiding in plain sight.

We cover:

- Why “What You’re Doing” feels like a throwaway song
- The song’s girl group fingerprints in the call and response vocals
- The bass fill at the end, maybe the first time the Beatles had one
- Recording breakdown: the September 1964 sessions
- Seltaeb, NEMS, Stramsact, the lawsuit, and the merch money fallout

Raymond's Youtube channel: https://www.youtube.com/@YouCantUnhearThis

In this Beatles podcast episode, we argue “I Don’t Want To Spoil The Party” only works because every Beatle leaves a crucial fingerprint. With special guest Dr. Terry Hamblin, we hear the song as a full-band fusion, not just a “John song.”

We cover:

- Songwriting origins on the 1964 North American tour and the country western frame
- The September 29, 1964 session and the nine takes vs nineteen takes confusion
- A debated vocal mystery and a Beatles first
- Musical fingerprints: flat seven movement, the middle eight, Ringo’s toms, and George’s solo
- Storytime on 1964 live TV performances, including Blackpool Night Out, Shindig, and Not Only...But Also

Every Little Thing is a Paul McCartney song that could fool you into thinking it is a John song, especially with John’s voice so forward in the verses. In this Beatles podcast episode of Note By Note, Peter, Kenyon, Josh, and guest TJ Burns break down the timpani punch, the Anthology 4 takes, and why this deep cut never quite plays by pop rules.

We cover:

- Recording sessions, the redo, and what Anthology 4 reveals in takes 6–7

- Timpani as a claimed Beatles first, the piano credit debate, and the AKG D19 C drum mic switch

- How it gets compared to What You’re Doing and the shift to arranged guitar solos

- 1964 UK tour storytime, including the mid-tour nine-hour EMI session

TJ Byrnes Youtube channel: https://www.youtube.com/channel/UCaqdTns-CVdVUMSk7xBhhmw

On this Beatles podcast episode of The Beatles Note by Note, we start with Honey Don’t and end up in some surprisingly detailed territory. If you like songwriting context, studio specifics, and a few 1964 detours that explain why certain songs stuck, this one is for you.

We cover:
- Where Honey Don’t came from, and how the Beatles folded it into their live set before giving it to Ringo
- The last Beatles for Sale recording session and how quickly they put the track together
- A version-by-version compare: Carl Perkins, the Beatles, and John’s Plastic Ono Band jam
- Ringo’s 1964 tonsil surgery story and the strange press attention around it
- The “Ringo for President” campaign and what it said about youth culture at the time